Bobby Goldsboro and The Webs!

Here is a great report sent in by Tom Pollard all about Bobby's time with The Webs:

Bobby and The Webs

I first met "The Webs" in 1961 in Birmingham, Alabama. They came to Heart Recording to "make some records". The engineer at the studio, (which was on the second floor over a blood bank) was named Ed Boutwell and Bobby Goldsboro acted as his own A&R man. We cut several sides and The Webs went back to college at Auburn University. They were all enrolled there and continued to practice there and play for Fraternity and Sorority dances and other gigs on campus. The recordings were good but needed some more polish so some time later, Ed Boutwell and I picked up the band and their intruments and brought them to Birmingham in Ed's car as they didn't have money for the trip. Neither did we or the band have money for lodging so the guys just stayed at the Studio, sleeping on the sofa and the floor. The band really cut some good songs on these sessions and a vocal quartet was brought in to add some backup. We had the quartet under contract too, so The Webs played for the Q-tet and the Q-tet sang for The Webs. Some sessions lasted all night and they slept most of the next day. There was a small cafeteria across the street and we used to go there to eat while Bobby did his tree frog noise, (which sounded like a cricket) the waiters would go crazy looking for the "bug". Sometimes during the sessions we would finish a song and not have anything to record so everyone would find a private "Niche" and write a song, then try it out on everyone else. Some decent stuff came out of these times. Bobby wrote one called, "Do the Twist With Bony Marony", a real goofy piece and the whole band wrote an instrumental which sounded like a Spaghetti Western theme, called, "Ride Tall". I still have tapes of these and other cut of The Webs.

A call came in to Heart Recording one day from a C & W artist named Sonny James, known in the business as, "The Country Gentleman". He was inquiring about a piano man who had a group around the B'ham area. When Mr. James was told this particular person was no longer in town, he asked if I knew a band that could back him on a date he had in a few weeks in Panama City, Florida. I told him about The Webs and although he had never heard of them, he left his number and asked them to call him. Bobby called and got the gig. The Webs went out and bought all the Sonny James LPs they could find and started practicing. They learned all the tunes, about 30 if I remember correctly, and at the first rehearsal with Sonny James, blew him away. They even knew the lead intro to every song he sang on the LPs. When they related that story we knew the guys were exceptional. There were many times when The Webs came to B'ham to record and on all occasions some good recordings were made. Heart Records put out one record by The Webs and tried to promote it over the Southern U.S. but had no distribution. We visited radio stations over Alabama and Georgia to promote the record. It got good airplay but without distribution the record died quickly. Afterwards a representative took The Webs recordings and recordings of Heart's other artists and went to New York City to try and lease some sides. It was a common practice in those days for a national label to lease a finished recording and pay the owner a royalty. The agent sold The Webs recordings to several companies, which of course, we at Heart knew nothing about. Out of that came a call from a record producer named Jack Gold from NY. He had contacted those others who had bought the recordings and made arrangements to be the sole leasee. He came to B'ham, signed Bobby Goldsboro to a recording contract, and the rest is history. Bobby was the only Web who was 21 years old. So Mr. Gold used that as an excuse not to sign the others. For all practical purposes that was the end of The Webs as a group. As far as I know, they never did play together after Bobby left for New York. Mr. Gold had told us at Heart that he was really only interested in Bobby Goldsboro because of his unique voice. The initial label was Laurie, Mr. Gold's, and eventually United Artists, whom Mr. Gold worked for as a leading talent manager and A&R man. Bobby toured England and the continent with Roy Orbison as rhythm guitarist for $65 per week. He had to pay for his own meals and get his own cleaning done himself. He later related going shopping in London on the famous clothing street, I forget its name. He said Orbison bought seven suits, taylor made, with shirts, shoes and accessories while Bobby could only afford one jacket off the rack. That incident made him even more intent on making it big in the music business. Which he did.

Thanks to Tom Pollard for sending that in.

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